๐—–๐— ๐—– ๐—ง๐—ฒ๐—ฎ๐˜๐—ฟ๐—ผ ๐—ฃ๐—ฎ๐˜„๐—ฎ๐—ป ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐˜๐—ฒ๐˜€ ๐—™๐—š๐—— : ๐—” ๐—•๐—น๐˜‚๐—ฒ๐—ฝ๐—ฟ๐—ถ๐—ป๐˜ ๐—ณ๐—ผ๐—ฟ ๐—ฃ๐—›๐—œ๐—Ÿ๐—œ๐—ฃ๐—ฃ๐—œ๐—ก๐—˜ ๐—ง๐—›๐—˜๐—”๐—ง๐—˜๐—ฅ ๐—”๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—บ๐˜†

โ€œ๐‘ช๐’–๐’๐’•๐’–๐’“๐’‚๐’ ๐’…๐’Š๐’‡๐’‡๐’†๐’“๐’†๐’๐’„๐’†๐’” ๐’”๐’‰๐’๐’–๐’๐’… ๐’๐’๐’• ๐’”๐’†๐’‘๐’‚๐’“๐’‚๐’•๐’† ๐’–๐’” ๐’‡๐’“๐’๐’Ž ๐’†๐’‚๐’„๐’‰ ๐’๐’•๐’‰๐’†๐’“, ๐’ƒ๐’–๐’• ๐’“๐’‚๐’•๐’‰๐’†๐’“ ๐’„๐’–๐’๐’•๐’–๐’“๐’‚๐’ ๐’…๐’Š๐’—๐’†๐’“๐’”๐’Š๐’•๐’š ๐’ƒ๐’“๐’Š๐’๐’ˆ๐’” ๐’‚ ๐’„๐’๐’๐’๐’†๐’„๐’•๐’Š๐’—๐’† ๐’”๐’•๐’“๐’†๐’๐’ˆ๐’•๐’‰ ๐’•๐’‰๐’‚๐’• ๐’„๐’‚๐’ ๐’ƒ๐’†๐’๐’†๐’‡๐’Š๐’• ๐’‚๐’๐’ ๐’๐’‡ ๐’‰๐’–๐’Ž๐’‚๐’๐’Š๐’•๐’š.โ€ โ€“ ๐‘น๐’๐’ƒ๐’†๐’“๐’• ๐‘จ๐’๐’‚๐’

   CMC – Teatro Pawan Artistic Director Erolle Linus T. Miranda has participated in a focused group discussion on a blueprint for an academy of Philippine theater.  The said FGD was organized by the NCCA Committee on Dramatic Arts in partnership with the Youth Advocates Through Theater Arts (YATTA) on Dec. 3, 2022 via Zoom Cloud Meeting.

     In 2020, the NCCA Committee on Dramatic Arts in partnership with the Youth Advocates Through Theater Arts (YATTA) convened Tampok Sabadulaan, a series of online webinars that sought to engage theater artists and cultural workers in sharing their vision and ideas in relation to the establishment of an Academy of Philippine Theater. Moreover, in 2021, a research project HULMAHAN spearheaded by our esteemed theater leader Lutgardo “Gardy” Labad further consolidated these ideas and led to the drafting of a blueprint for establishing an envisioned Academy of Philippine Theater.

   The process consisted of research methodologies like surveys, questionnaires, the study of related literature, webinars, focus group discussions, and interviews leading to a consolidated compendium of insights and recommendations on the directional trajectory and nature of the academy.

      The blueprint articulates the following thematic issues and concerns: Rationale, Strategic Directions and Policies, Programs and Course Offerings, Market and Finance Study, Organizational Operations, and Architectural Design Guidelines.

       On its 9th year as a student theater guild, the organization brings another year with the theme:  ๐—–๐— ๐—– ๐—ง๐—ฒ๐—ฎ๐˜๐—ฟ๐—ผ ๐—ฎ๐˜† ๐—•๐˜‚๐—ต๐—ฎ๐˜†! ๐—•๐˜‚๐—ต๐—ฎ๐˜† ๐—ฎ๐—ป๐—ด ๐—ฆ๐—ถ๐—ป๐—ถ๐—ป๐—ด! CMC Teatro Pawan is a youth organization of artists and advocates committed to raising awareness about how art serves as a catalyst for healing individuals, society, and our environment.

        As a member of the Performing Mindanao Student Theater Network since 2015. As an active member of the Performing Mindanao: A Student Theater Network among Colleges and Universities in Mindanao.  The said network regularly convenes through its national and local student theater conferences, showcases, and meetings. a venue where student theater practitioners share their best practices among its member universities and college-based theater organizations in Mindanao. Among its sharings are student theater management, strategies for artist training, and most importantly, this is the best venue for artist-resource-sharing schemes or artists-helping-artists. 

By ELTM |ICMC 

#CMCTeatroPawanYear9

#CMCTPTeatroAngBuhayTeatroAyBuhay

๐—–๐— ๐—– ๐—”๐—น๐—ถ๐˜ƒ๐—ฒ ๐—ฎ๐˜ ๐Ÿณ๐Ÿฑ

๐—–elebrating

๐— ilestones

๐—–ollectively

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